|
The graphic arts are marvelous tools of subversion. Images bypass
the verbal censor of the waking consciousness by making no
argument except their presence. The image of a truth, if it be
well crafted in the understanding of human nature, convinces by
demonstration: What do you mean, unicorns don't exist? I just
painted a picture of one.' The very silence of an image enables a suspension of disbelief, during which opportunity the artist can present as a visual fact' realities encountered beyond the physical plane. The curve of a line, the contrasts and blends of color, the weight of a shadow, a limning of light--all can combine to induce the Initiating instant of recognition. The art of painting in the service of the High Art of Magick is not a propaganda-slave, however; the many layers of illusion that constitute a painting create an entity that moves on its own power for its own ends. The first illusion, in figurative painting, is that of three dimensions on a primarily flat surface; by use of perspective and proportion, distance and weight can be suggested in such ways that the eyes accept the effects. The second illusion is that of light and shadow produced by light and dark paint that lend depth and solidity to objects and atmospheres. A third illusion is that of symbolism, not necessarily conscious, of the subject and details of the work. The illusions of movement, of presence, of atmosphere, of plot and characters can all be used to draw the viewer into the picture. Once the viewer is in the picture, it can act as a gateway to the Mystery that lies beyond the image, an astral door, as it were, for exploration and experience. It's my hope that these images touch your heart as well as your mind, your Third Eye as well as your visible two, and your spirit as your seeking self. |
| Nema |
Works by Nema
 |