| INTRODUCTION |
| OVERVIEW OF SANTERIA |
| THE DRUMS |
| ......THE NOTATION |
| ......PLAYING VARIATIONS |
| THE ORUS |
| ......THE ORISHAS |
| THE ORU DEL IGBODU |
| ......THE LLAMES OF THE ORU DEL IGBODU |
| ......1. ELEGGUA |
| ......2. OGGUN |
| ......3. OCHOSI |
| ......4. OBBALOKE |
| ......5. INLE |
| ......6. BABALU AYE |
| ......7. OSAIN |
| ......8. OSUN |
| ......9. OBATALA |
| ......10. DADA |
| ......11. OGGUE |
| ......12. AGAYU |
| ......13. ORUNLA |
| ......14. IBEDYI |
| ......15. ORISHA OKO |
| ......16. CHANGO |
| ......17. YEGGUA |
| ......18. OYA |
| ......19. OCHUN |
| ......20. YEMAYA |
| ......21. OBBA |
| ......22. ODDUA (ODUDUA) |
| THE ORU DEL EYA ARANLA |
| ......COSTUMES |
| ......THE CHANTS |
| ......1, 2, & 3. ELEGGUA |
| ......4, 5 & 6. OGGUN |
| ......7, 8 & 9. OCHOSI |
| ......10 & 11. ORISHA OKO |
| ......12, 13 & 14. INLE |
| ......15, 16 & 17. BABALU AYE |
| ......18, 19 & 20. OBATALA |
| ......21. DADA |
| ......22. OGGUE |
| ......23, 24 & 25. AGAYU |
| ......26, 27 & 28. IBEDYI |
| ......29, 30 & 31. CHANGO |
| ......32 & 33. OBBA |
| ......34, 35 & 36. YEGGUA |
| ......37, 38 & 39. OYA |
| ......40, 41 & 42. YEMAYA |
| ......43, 44 & 45. OCHUN |
| ......46, 47 & 48. ORUNLA |
| THE GUENMILERE |
| ......BAYUBA |
| ......EBIPKAMI |
| ......YAKOTA |
| ......BIOBAYARE |
| ......BEMBE |
| ......IDILANTILANTI |
| THE CLOSING |
| ......1, 2, 3, & 4. EGGUN |
| ......5. OYA |
| ......6 & 7. BABALU AYE |
| ......8. YEGGUA |
| ......9. OSAIN |
| ......10. YEMAYA |
| ......11, 12 & 13.
ELEGGUA |
| ......14. OLOKUN |
| WHERE TO OBTAIN SUPPLIES |
| BIBLIOGRAPHY |
| DISCOGRAPHY |
